SEASONS https://akirakosemura.lnk.to/SEASONS
by Akira Kosemura https://www.youtube.com/@AkiraKosemuraMusic
SEASONS https://akirakosemura.lnk.to/SEASONS
by Akira Kosemura https://www.youtube.com/@AkiraKosemuraMusic
由于 Omnivore 出售后关停服务 https://blog.omnivore.app/p/details-on-omnivore-shutting-down
重新启用 Notion web clipper https://www.notion.so/web-clipper
增强型插件 https://chromewebstore.google.com/detail/web-clipper/mhfbofiokmppgdliakminbgdgcmbhbac
姐姐，今夜我在德令哈，夜色笼罩 姐姐，我今夜只有戈壁
草原尽头我两手空空 悲痛时握不住一颗泪滴 姐姐，今夜我在德令哈 这是雨水中一座荒凉的城
除了那些路过的和居住的 德令哈......今夜 这是唯一的，最后的，抒情 这是唯一的，最后的，草原
我把石头还给石头 让胜利的胜利 今夜青稞只属于她自己 一切都在生长 今夜我只有美丽的戈壁 空空 姐姐，今夜我不关心人类，我只想你
词：海子 曲：张心柔
The answer is complicated, but it has to do with the feeble ‘phoneticity’ of Chinese characters, as opposed to other scripts that were specially devised to convey the sounds of a language. In writing systems whose symbols represent phonetic information, there is a ‘virtuous circle’ in which the four functions of language—speaking, listening, writing, and reading—are mutually reinforcing.
提笔忘字 https://globalchinapulse.net/character-amnesia-in-china/
Select Language